Signed in as:
filler@godaddy.com
I am a multidisciplinary artist working across human insight photography, abstract and figurative sculpture, landscape and portrait oil and acrylic painting, pen and ink design and illustration, concept installation, video art, audio compositions, textual art, and poetry. My practice is rooted in phenomenology—how we experience the world through perception, memory, and emotion. I explore the narratives we construct, the cognitive biases that shape them, and the universal truths that emerge when we strip away assumption and artifice.
Born in the UK to a Malaysian Chinese mother and an Ugandan South African Welsh father, I have always been drawn to the spaces where cultures meet, merge, and redefine themselves. This confluence of heritage has shaped my deep interest in belonging, identity, and the invisible threads that connect us all. It has also made me acutely aware of the complexities of perception—how we are seen, how we see others, and what lies beyond the surface of both personal and collective experience.
But my art is not passive. I feel a compulsion to wield it as a weapon for change—a means of interrogating the world, challenging assumptions, and igniting new ways of thinking. There is an urgency in my practice, a drive to create work that not only provokes reflection but also demands action. Art has the power to shift perspectives, influence culture, and dismantle barriers—and I am intent on using it to do so.
My creative process is one of intuitive exploration and deep engagement with materials. Whether I am working with the permanence of stoneware, the fluidity of ink or paint, or the immersive quality of sound and video, I allow each medium to guide me. There is a constant back-and-forth between planning and spontaneity, where the materials themselves become partners in the creation, taking on a life of their own. I embrace experimentation, trusting the process to unfold as I engage with each piece. Often, my work starts with a single idea or question—an image or concept I am drawn to—but evolves as I interact with the materials and allow the process to reshape my intentions.
I embrace imperfection as a method of truth-telling. A fractured ceramic form, an unfinished line in ink, or an unexpected juxtaposition of materials can speak to the fragile, unresolved nature of human experience. My work seeks to move beyond individual identity and into collective resonance—what lingers in memory, what connects us across time and culture, what shapes us as individuals and societies.
The emotional connection I seek to establish is one that challenges and transforms. I want my work to confront, to discomfort, and to inspire a deep, introspective look at the world around us. Whether through the sharp edge of a sculpture or the fluidity of a painting, I want to evoke a feeling that lingers beyond the immediate experience—something that stays with the viewer, encouraging them to reflect on their own assumptions and beliefs.
This pursuit of art as activism has led to my work being exhibited internationally, including at COP29, the 2024 United Nations Climate Change Conference, where art meets policy in the global fight for climate justice. I have also been featured in The Arts Society Magazine and continue to curate and exhibit across national and international platforms.
Ultimately, I see art as an active force—one that shapes culture, influences perception, and has the power to create meaningful change. My practice is an ongoing exploration of how we construct reality, how we see and are seen, and how art can open pathways to deeper understanding.
Great storytelling has always fascinated Crystal. As a child, she used to perform other people’s stories on her violin and toured the world doing so. By university; where she studied English Literature, storytelling became a deep analysis of narrative structure, craft, critical thinking and philosophy. A brief stint at BBC World Service put her on the front line of historical storytelling and exposure to unpublishable source material showed Crystal the true human cost of Britain’s war in Iraq. A return to academics and a career in consumer research followed and Crystal moved to Melbourne then New York with work projects studying culture and human behaviour enabling explorations across Africa, Asia and South America. Always with sketchbook, camera, or notebook in hand.
While working, she took to various post grad studies in anthropology, ethnography, psychology and semiotics, and by 2010, she’d managed to forge a career focused on the visual arts, brand strategy, and effective communication. She flourished in applying human insights to enable positive brand storytelling, however, in 2014, while working in Turkey as a Director for a London agency, without any warning, disaster struck. Crystal suffered a severe spinal injury. It left her unable to walk and in extreme pain. For a year she was trapped in her 1st floor flat under 24hr care with little hope for her future. The only outings were to hospital to be poked and prodded by specialists. She began to feel like a petri dish not in control of her own narrative, under constant surveillance and in constant pain.
Post surgery, she was no longer able to play her violin so Crystal returned to sketching for solace. She imagined strange faces that could convey a deep intent in a momentary glance. Choosing to use pen and ink without pencil guidelines felt especially representative to the uncertainty she felt. Body proportions would inevitably be imperfect but would have to be embraced. For her, it was more important that a fleeting human intent could be captured.
Today, Crystal lives in Kent with her husband, a writer, their dog and several chickens. Although she still suffers from chronic pain, she is CEO of a global brand strategy company she founded in 2017 called Kingfisher Consultancy who focus on delivering marketing strategy and human insights for positive change, and beyond being an active creative and exhibiting Artist, she's also Trustee of Common and Kind, a music charity that connects people from all walks of life, helping those with disabilities, refugees and asylum seekers; connecting children and adult choirs around the world. She sings with the Canterbury Ladies Choir and is a voice actor, curator, and composer in her spare time.
In 2022, The Arts Society Sandwich recognised Crystal's contribution to The Arts at their inaugural Summer Art Exhibition and later that year Crystal's work was featured at the Sandwich Arts Week Festival. In 2023 The Arts Society Magazine featured her work and in 2024, she co-curated The Arts Society Sandwich Summer Exhibition. She was accepted to study for an MA in Fine Arts at UCA Canterbury and continues to do so while curating nationally and exhibiting internationally, including at COP29 (The 2024 United Nations Climate Change Conference).
She continues to create as a means of exploring narrative, cognitive bias, and cultural change and extends her daily practice by engaging audiences as a guest lecturer, youth and young adult mentor, and in her capacity as an Arts in the community curator.
In March 2025, Crystal was given a solo exhibition at the Herbert Read Gallery for a body of work titled 'What Remains' featuring black and white human insight photography integrated with her poetry and sculptural installations. This event coincided with the launch of her first artist's hardback book of the same name which has received critical acclaim.
This CV for Crystal Evans showcases her multidisciplinary practice, exhibitions, and contributions to contemporary art.
It highlights her academic background, international experience, solo exhibitions and publications.
Download to learn more about her work and professional journey.
Crystal Evans CV (pdf)
Download